ABOUT ME

I spent my formative years amidst the idyllic landscapes of the French Breton countryside, where the rich tapestry of local folklore fueled my imagination. I firmly believe that dreams serve as a catalyst for personal growth. As my curiosity expanded beyond regional tales, I found myself captivated by global folklore, with a particular fascination for Japanese narratives.

Driven by this passion, I pursued my researches in Art History in a French university. While I delved into the significance of artistic works and iconography, a sense of incompleteness lingered. Seeking the missing piece, I ventured to Montreal, Canada, where I enrolled in the School of Art Cabinetmaking (EEAM). Here, for the first time, everything clicked into place. The transformation of materials, particularly wood, and the inherent challenges it presented filled the practical void left by my Art History studies. I embraced diverse techniques, whether in design or visual art, always mindful of the underlying meaning.

In 2017, I took a bold step and established my own venture, Jonathän Jouan Studios, in Montreal. Within the realm of my creations, I meticulously design and craft furniture and objects using a myriad of cabinetmaking techniques. While many skills were imparted to me, others, like straw marquetry, became integrated into my repertoire through self-directed learning.

Following my graduation in 2020, I embarked on a new chapter in Copenhagen, Denmark, aiming to further refine my techniques and artistic style in a cultural milieu distinct from North America. This journey symbolizes my relentless pursuit of artistic evolution and a commitment to pushing the boundaries of my craft.

VISION


As an art furniture maker artist and expert in straw marquetry, I breathe life into exceptional art objects and furniture that showcase the craftsmanship and refined technique of straw marquetry. In my artistic approach on art furniture and ornamental pieces, I prioritize not only aesthetics but also the user experience. My creations aim not only for efficiency and ease of use but also seek to provoke spiritual reflection during interaction and contemplation of the user.

Deeply influenced by Eastern thought, especially Japanese, where every gesture of daily life is transformed into a ritual (similar to the tea ceremony), I am currently dedicated to exploring the realm of the invisible. This exploration is manifested through my interpretation of popular legends, reminiscences of memories, or stories shared by the fireside. My work aspires to transcend the material to evoke more intangible and spiritual experiences.

My guiding principles

Sustainability

Heaviness

Longevity

Contemporary/Ancestral techniques

Sustainability • Heaviness • Longevity • Contemporary/Ancestral techniques •

Exhibitions ° Grants ° Publication

Artistic residency

  • Scandinavian Cello School Residency

    2022

    “Back to basics” or “How to create a tiny rehearsal space connected to the nature with a low budget”